Carrie Moore

The beautiful yet rebellious Carrie Moore was one of Australia's most successful Edwardian actresses. She was born in Geelong Victoria in 1882.

Carrie started as a child star with J C Williamson, she was 13 years old and had a role in a pantomime. She was a leading lady at age 16 and for her 21st birthday, she received a contract with George Edwardes in London.


Above is a picture of Carrie in costume for an Australian production.

So at the age of 21 Carrie went to London to work for George Edwardes, the most famous theatrical manager in England.

She performed in the Cingalee for Edwardes and reportedly argued with him about wearing white make up . "Have you ever seen a white Cingalee?" She asked Below is Carrie in the Cingalee.

Her most famous role in London was as a Sandow Girl in the original London production of the Dairymaids. She gave a very scandalous interview speaking against corsets. As a Sandow girl she wore little more than drapery as you can see below.

She returned to Australia in 1908 and was Australia's first Merry Widow.( picture below.)

She then eloped with an bigamous Englishman, whilst being engaged to another one who was conveniently in England.

Carrie was bold and adventurous and was one of the few stars who performed in legitimate theatre, vaudeville, TV, radio and movies. She had a lovely soprano voice, but it was her charismatic presence that made her a star.

I've long been fascinated by Carrie and wrote a small book about her.

She died in Sydney in 1956 after living an incredible life.

Maud Jeffries

Many English Edwardian actresses married into the aristocracy, but it was unusual for an international actress to marry into an Australian squatter family. Maud Jeffries, an American actress, did so in the early 1900s.

Maud was born in the Southern United States in 1869. She was spotted by the famous actor Wilson Barrett and taken to England to perform in his company.

Here she is with Wilson

In 1897-1898 she came to Australia in a company headed by Barrett. They returned to England and every few years Maud would cross the Atlantic with her brother Norman to visit her family.

In 1904 Maud returned to Australia with a company headed by Julius Knight.

During that tour she met a young man called James Osborne who was the son of a wealthy squatter family. He was smitten with her and somehow joined the company. They acted together, and in 1905 he asked her to marry him. She agreed, finished the tour in 1906 and then retired from the stage.

Above you can see Maud acting as a very domestic Edwardian lady. Although many of the aristocratic marriages in England caused scandal, this marriage in the colonies, wasn't really frowned upon. In fact one of the papers said that James was a very lucky man.

Maud had a son, and lived out her life in the country with James. She made one appearance on stage before her death, a benefit with Julius Knight in 1910. She died in 1946 outliving her husband.

The London Gaiety Burlesque Company

The London Gaiety Burlesque Company toured Australia in 1892-1893. They were performers from the famous Gaiety theatre in London and included E J Lonnen, Marion Hood and Robert Courtneidge. Courtneidge later became a very famous producer/manager in his own right.

They performed two burlesques of opera on the tour, Faust up to date and Carmen up to data. These were,of course, parodies of the originals.

A tour by the Gaiety company was a huge event because they represented the very best in English entertainment, so everything about the production was of high quality, including the souvenirs.

One example was a lovely, "Souvenir of the Gaiety Theatre, George Edwardes" Which included a set of eight sketches by Percy Anderson.

Above is a soldier


This is Carmen and below is Frasquita.

These are beautiful examples of the time and effort that was taken to make visiting the theatre such a special experience in the late 19th Century.

More information about the tour is here

Harry Rickards and the Tivoli Theatre

Harry Rickards was an English music hall performer who became one of Australia's most successful theatre entrepreneurs. Although Rickards isn't very well known, his theatre chain, The Tivoli, is a magic word in Australian Theatre History.

Below is a letter dated 1893 on Harry Rickards' stationery. I'm not sure if it's signed by Rickards or by his brother Jack Leete. The Tivoli circuit was a family affair and Jack managed a lot of the business side.

This is a picture of Harry Rickards from an early 20th Century magazine. It outlines all the theatres he operated in Australia. These included the Tivoli in Sydney, The Opera House in Melbourne, and theatres in Adelaide and Brisbane. As you can see, Rickards had no problem with self promotion.

Finally, below is a 19th Century postcard of the New Opera House in Melbourne. It was later called the Tivoli and was run by Rickards. A shopping mall now stands on the site.

Frank Van Straten's book on the Tivoli called Tivoli, covers everything you want to know about the history of this legendary theatre chain.

Pantomime.

Pantomime was one of the major forms of entertainment for the Australian people in the 19th Century and J C Williamson pantomimes were for decades the highlight of the year for families in the capital cities. Every Xmas, Williamson would produce a lavish show with opulent sets, huge casts, elaborate choruses and dance productions.


Xmas 1883 saw Aladdin come to Melbourne. It starred J C Williamson's wife, Maggie Moore as the principal boy.








Everything about the pantomime experience was special, including the programmes, which detailed the names of cast and crew, the libretto of the panto and beautiful colour prints of the scenes.




10 years later Sydney was treated to Cinderella. Once again a huge production which featured a transformation scene showing the "wealth produce and progress of Australia.' Here is a part of the programme.

The nationalistic theme echoed the concerns of the community of the time. 1895 was the time of Federation debates and a rise in Australian nationalism. The pantomimes reflected the cultural concerns of colonial society and in many ways contibuted towards shaping political and social opinion.



Unfortunately pantomime is a fading art form, particularly in Australia, but in the 19th century it was the epitome of style, class and Christmas cheer.

More information about Australian pantomime.

Jean Jarrott

Some years ago I was sent some information about a woman called Jean Jarrott. Jean was an Australian performer who featured in Queensland WEA productions such as And so to Bed and The Insect Play in the late 1930s.

Here she is in Judgement Day, 1938, as Madame Carelli.

During World War 2 she performed for the Red Cross and with the Brisbane Repertory Society, which was being run by Barbara Sisley, a famous name in amateur theatre. Below is a programme of one of her shows.

I particularly like the war bonds ad on the back.

It says for her future happiness, invest in War bonds

In the 1950s, Jean travelled the world and when she returned to Australia she continued to work for Brisbane repertory. Her career contined through to the 1970s when she appeared in Australian TV serials such as " Until Tomorrow."

Here is Jean performing in the 1950s.

Jean was a talented and generous actress and a fixture in social and theatrical circles in Brisbane. She passed away in 2002.

Sydney Harbour Bridge and other articles

I've just started writing articles for Suite101.com. My profile includes a picture of me and also a list of the articles I have written.

Of the three articles, I think the most interesting was about De Groot,the man who opened the Harbour Bridge, illegally.

I cant believe he was charged with damaging a ribbon worth 2 pounds. Apparently bits of the ribbon are in the bowels of Mitchell Library.

Here's a lovely photo of our wonderful bridge courtesy of Adrian Ng.



It's so beautiful no wonder De Groot was so eager to open it.

My grandfather used to tell stories about travelling by ferry from Manly and watching the bridge being built above him. It must have been an incredible sight. It still is . A true engineering marvel.